Strictly Ballroom
Freedom
Among the many themes of existential psychology, one of the themes
that struck me in Strictly Ballroom was the theme of freedom of choice.
Jean-Paul Sartre believes that we are all born without having our fate set
for us, that we are the ones who give our lives meaning, we have the
freedom to be whoever we want to become, and we have the freedom to choose
our very own destinies.
Freedom
Among the many themes of existential psychology, one of the themes
that struck me in Strictly Ballroom was the theme of freedom of choice.
Jean-Paul Sartre believes that we are all born without having our fate set
for us, that we are the ones who give our lives meaning, we have the
freedom to be whoever we want to become, and we have the freedom to choose
our very own destinies.
The movie title itself is "Strictly Ballroom", and to
me, it implied that there are many set rules for a dance to be considered as
ballroom dancing, that there are boundaries which dancers are supposed to stay
within, taking away and restricting their freedom of choice, their freedom of
expression.
The juxtaposition here is that dance is a form of expression that is free, just like many other art forms, be it music, painting, or poetry. The rules and boundaries set by Barry Fife, president of the Ballroom Confederation, denied dancers of the very essence of dancing, which is freedom.
The peak of the
juxtaposition is when Les Kendall, Scott's dance coach, told him to follow the
rules, and at the same time, told him "You have a light in you boy, let it
shine."
Scott Hastings
Just as Scott started to break free from the conventional world of ballroom dancing, he was constantly torn between two sides.
On one hand, he loves
inventing and using his new and creative dance steps because dancing is a means
for him to express himself and to be true to his dancing would mean that he is
true to himself.
On the other hand,
following the rules because that it is the safest way to win the competition,
that it's what everyone is telling him to do, that it's what everyone including
his mother, coach, and partner think is best for him.
"I won't dance with you until you dance how you're SUPPOSED to dance."
Bad Faith
Jean-Paul Sartre and Simone de Beauvoir both described "Bad
faith" as falling away from one's freedom of choice from the result of
societal pressure, become inauthentic beings ruled by external forces instead
of making conscious decisions for oneself.
Authenticity
The opposite of bad
faith would be to live with "Authenticity", which means to have
authentic freedom when one is making choices, and even more so when one decides
to involve oneself in projects that unfold possibilities for others, such as
the pursuit of science and artistic endeavors.
Scott's Battle with Bad Faith and Authenticity
We see Scott swaying, and almost acting in the direction of bad faith when it was decided for him that he
would be partnered up with Tina Sparkle, the reigning queen of ballroom
dancing.
As he contemplates, he
was thinking of the chances he would have of winning the Pan-Pacific Grand
Prix if he partnered up with Tina.
And as he was talking to
Fran behind the curtains, he got a clearer picture of who he really wants to
dance with, and the next thing he does is dance with her.
Up till this point,
Scott has been living his life with authenticity, dancing the way he wants to
even though everyone else tells him not to, even if it may cost him
the Pan-Pacific Grand Prix. Letting things be decided by others is
also a sign of bad faith, as one is not actively deciding about what one really
wants.
Then we have Barry Fife,
and the only one reason he set so many rules to constitute and define
ballroom dancing, restricting other dancer's freedom of expression, is
because ballroom dancing is business to him.
"Where do you think we'd be if everyone started to make up
their own steps?"
"Out of a job"
What happens when a
selfish businessman feels that his business is going to be sabotaged? Well, he
used the same method he used on Scott's parents, manipulation.
Seeing how neurotic
Scott's mother is, he somehow planted ideas that if she danced with her husband
and his flashy dance moves, she would lose everything, her title, the
championship, and even her business.
Scott doesn't know the
truth behind his father's dancing, and Barry took this opportunity to lie about
the past to get Scott to dance within the rules, to not make the same mistake
as his father when he was younger, selling the idea that he'd be winning it for
his parents, realizing their dreams.
This is when Scott
showed bad faith, where he decides to listen to Barry and follow the
rules, he did it in bad faith even if the reason was that he did it
for his parents.
Listen to
Your Heart
At the finals, after
Scott's father shouted "We lived our lives in fear!", with the
lingering echo effect of the word "fear", it struck me.
I started to ask myself
some questions as the movie continues on.
How do I want to live?
Who do I want to
be?
What would be a
meaning life be like for me?
To live with
authenticity is to live life with courage, even if society is against it, even
if one has fears of taking the first step, as long as it does no harm. I
think Scott's father's message made Scott ask similar questions, asking himself
what really matters at this moment, was it the championship or was it
dancing?
We all understood
Scott's dynamic answer to that as he slides into the ballroom, proceeds to
dance with Fran.
Scott lived and danced with authenticity.
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